We see a small glimpse of a smile in those rare situations when everyone sits together to have a meal. The umma doesn’t smile at all in the film, does she? Also, were you aware of this history before you got into it? The director has a vision of a character, but it takes individual homework to reach there -aided by, of course, the support system in the form of the co-actors, the story, and the period. I simply did my kind of interpretation, facilitated by the script, director and the scenes. So I would’ve to approach it differently. We can’t relate to them, their time or their difficulties. Maybe women back then were like that-having to think a lot before expressing. This umma has kept bottled up all the uncertainty and worries in her, but they don’t come outside. There exist different kinds of women with different emotional journeys. The most important thing to say is that neither the makers want to show the umma that way, nor did I want to interpret her that way. That’s all because of our past conditioning and the films we have seen before. Audiences usually have expectations from certain characters. But there’s much anger in her, which we can perceive from her body language. Maybe Poornima Indrajith would’ve reacted differently she would’ve exploded, but not this umma. You would expect her to be a certain way, but she doesn’t. This mother (umma) doesn’t behave like any other onscreen mothers. Your performance in Thuramukham is remarkably restrained, devoid of melodrama. ‘With Thuramukham, we wanted people to ask questions’ I also realised that the uncertainties of life sometimes can be beautiful.” I understood that it is your ‘nos’ that make you. “The first thing I learned was to say ‘no’. ![]() Poornima also shares the experience of being a businesswoman dealing with people of various temperaments, how people management was a skill that took a while to get used to, and coping with failure on multiple occasions. I initially thought he was joking, but I gradually started working on it.” "Indran pushed me to dream bigger and encouraged me to establish my label, Pranaah. “Initially, I wanted to start designing for kids because there was a blatant lack of options in the market for them," she says. She contemplaets on her return to cinema after 18 years, in Aashiq Abu’s Virus, and following her passion for fashion design - it was a casual conversation with Indrajith that compelled her to take a leap of faith and start a clothing line. “The goal of this approach,” she adds, “was to make viewers ask questions pertaining to certain historical events and their snowballing effect on subsequent generations.” ![]() But that’s his vision, and we have to respect it,” she says while talking about the film’s overall storytelling approach, which, despite largely glowing reviews, did not meet the same level of enthusiasm from a few corners. “Rajeev was particular about doing Thuramukham in a certain way, regardless of how it is accepted. ![]() It’s a performance that required her to undo decades of conditioning in terms of understanding the work of an actor. While animatedly expressing her experiences on sets, she recalls being plagued by doubts, initially, about playing such a complex character who remains onscreen for a major portion of the runtime, right until the devastating final moments, which reveal another dimension of the actor we haven’t seen before. Poornima says Rajeev Ravi’s confidence gave her the much-needed push to take on the challenge. The actor’s eyes light up when delving deep into the process behind her portrayal and maintaining the necessary emotional continuity through multiple schedule breaks imposed by the pandemic.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |